About Cantinflas: Mexican comic film actor, producer, and screenwriter

Visit Cantinflas' official website. Visiting this website you will be able to read his biography, and most common questions, and visit his official shop. Visit now!


Mario Fortino Alfonso Moreno Reyes, known casually as Mario Moreno, and identified professionally as Cantinflas (August 12, 1911 - April 20, 1993), was a Mexican comic film actor, producer, and screenwriter and an iconic figure in Mexico and Latin America. He usually portrayed impoverished campesinos or possibly a peasant of pelado origin. The character came to become linked using the national identity of Mexico, and permitted Cantinflas to establish a lengthy, thriving film profession that incorporated a foray into Hollywood. Charlie Chaplin as soon as commented that he was the most effective comedian alive, and Moreno has been referred to as the "Charlie Chaplin of Mexico". To audiences within the United states, he's very best remembered as co-starring with David Niven within the Academy Award winner for Best Picture film Around the World in 80 Days, for which Moreno won a Golden Globe Award for Ideal Actor - Motion Picture Musical or Comedy.As a pioneer of the cinema of Mexico, Moreno helped usher in its golden era. Also to getting a business leader, he also became involved in Mexico's tangled and frequently unsafe labor politics. Although he was a political conservative, his reputation as a spokesperson for the downtrodden gave his actions authenticity and became critical in the early struggle against charrismo, the one-party government's practice of co-opting and controlling unions.Additionally, his character Cantinflas, whose identity became enmeshed with his own, was examined by media critics, philosophers, and linguists, who saw him variably as a danger to Mexican society, a bourgeois puppet, a type philanthropist, a transgressor of gender roles, a pious Catholic, a verbal innovator, plus a picaresque underdog. Get additional information about read more



EARLY AND Private LIFE
Mario Fortino Alfonso Moreno Reyes was born in the Santa María la Ribera neighbourhood of Mexico City, and grew up inside the challenging neighbourhood of Tepito. He was one in the kids born to Pedro Moreno Esquivel, an impoverished mail carrier, and María de la Soledad Reyes Guízar (from Cotija, Michoacan). They had eight children: Pedro, José ("Pepe"), Eduardo, Fortino, Esperanza, Catalina, Enrique, and Roberto.

He made it by way of difficult situations together with the quick wit and street smarts that he would later apply in his films. His comic character led him to a circus tent show, and from there to reputable theatre and film.

He married Valentina Ivanova Zubareff, of Russian ethnicity, on October 27, 1936, and remained with her until her death in January 1966. A son was born to Moreno in 1961 by another lady; the youngster was adopted by Valentina Ivanova and was named Mario Arturo Moreno Ivanova, causing some references to erroneously refer to him as "Cantinflas' adopted son".

He served as president of one from the Mexican actors' guild called Asociación Nacional de Actores (ANDA, "National Association of Actors") and as initially secretary common on the independent filmworkers' union Sindicato de Trabajadores de la Producción Cinematográfica (STPC). Following his retirement, Moreno devoted his life to assisting other individuals through charity and humanitarian organizations, specially those committed to assisting young children. His contributions for the Roman Catholic Church and orphanages created him a folk hero in Mexico.

He was a Freemason; He was initiated at Chilam Balam Lodge.

DEATH
A lifelong smoker, he died of lung cancer on April 20, 1993 in Mexico City. Thousands appeared on a rainy day for his funeral. The ceremony was a national occasion, lasting three days. His body lay in state within the Rotonda de Las Personas Ilustres (The Rotunda of Illustrious Persons, formerly called Rotunda of Illustrious males) and he was honored by a lot of heads of state plus the United states Senate, which held a moment of silence for him.

A 20-year legal battle followed in between Mario Moreno Ivanova, Cantinflas' son and heir to his estate, plus the actor's blood nephew Eduardo Moreno Laparade over the control of 34 films created by Cantinflas. The nephew claimed his uncle gave him a written notice towards the rights for movies on his deathbed. Moreno Ivanova argued that he was the direct heir of Cantinflas and that the rights belonged to him. Moreno Laparade won the lawsuit twice, but Moreno Ivanova eventually triumphed right after two appeals. In 2005, Mario Moreno Ivanova, Jr. won the rights to 39 films and name.

In the same time, there was a further legal battle involving Columbia Photos and Moreno Ivanova over control of these films. Columbia claimed that it had bought the rights towards the 34 films four decades earlier, even though the court noted a number of discrepancies in the papers. Moreno Ivanova wanted the rights towards the films to stay his, and much more frequently Mexico's, as a national treasure. On June 2, 2001 the eight-year battle was resolved with Columbia retaining ownership over the 34 disputed films.

ORIGIN OF NAME
As a young man, Cantinflas performed a range of acts in travelling tents, and it was here that he acquired the nickname "Cantinflas". According to one obituary, "Cantinflas" is a meaningless name invented to stop his parents from recognizing he was within the entertainment business, which they regarded a shameful occupation. Cantinflas confirmed this version in 1992, in his final tv interview.

ENTERTAINMENT Profession
Before beginning his qualified life in entertainment, he explored quite a few doable careers, like medicine and skilled boxing, before joining the entertainment world as a dancer. By 1930 he was involved in Mexico City's carpa (travelling tent) circuit, performing in succession using the Ofelia, Sotelo of Azcapotzalco, and lastly the Valentina carpa, where he met his future wife. Initially he tried to imitate Al Jolson by smearing his face with black paint, but later separated himself to type his own identity as an impoverished slum dweller with baggy pants, a rope for a belt, and also a distinctive mustache. Within the tents, he danced, performed acrobatics, and performed roles related to quite a few various professions. For a lot more check out https://iamcantinflas.com/


Thomas Shaw

716 Blog Bài đăng

Bình luận